Jean-Jacques Cornish

Lala kahle le Zulu blanc Johnny Clegg

 

If any rock maestro was given to understatement, it was Johnny Clegg.

Embarking on his Final Journey Tour last year, when he knew he was dying, he said: “Pancreatic cancer is lethal. There is no way out of it.”

Then he resorted to his beloved Isi Zulu to use the idiomatic saying that everyone must eat what is in his bowl.

It is, therefore, left to us to say that Johnny Clegg is the biggest thing to happen to South African music in the last half century.

Born in Britain and raised in Zimbabwe – then Rhodesia – he came to Johannesburg where he met a Zulu cleaner named Charlie Mzila who spurred his interest in the music and dance of that bellicose and dominant tribe.

As a teenager he hung out in  the haunts of migrant labourers: their dangerous hostels and fiery illegal taverns known as shebeens.

It is difficult to overstate the radical, not to forget highly illegal, nature of this behavior.

Clegg was often arrested for breaching apartheid South Africa’s Group Areas Act which dictated to people where they were allowed to be. And that was strictly with people of their own race.

Clegg studied anthropology at the University of the Witwatersrand in Johannesburg and at the University of Natal in Durban.

Not only was he addicted to the maskandi music of the people, he was fascinated with what made them tick.

In 1969 he met Sipho Mahunu who recognized and encouraged his passion and talent. 

They were the backbone of the group Jaluka which recorded numbers like Africa Sky Blue and Great Heart.

In the eighties, Mahunu returned to his farm and Clegg took up with Savuka, continuing to write and perform hits that thrilled South Africans both black and white.

This crossover culture flew in the face of the then government’s policy of separation.

The apartheid bosses were particularly angered by Clegg’s song Asimbonanga – literally “ we have not seen him” – that dreamed of performing onstage with the still jailed Nelson Mandela.

The song names Steve Biko and other anti-apartheid fighters killed by the regime.

The authorities had a fine understanding of how far they could stretch their oppression of high-profile figures.

Johnny Clegg had become a touring star in France, where he was called Le Zulu Blanc, Britain, the United States, Canada, Germany and the Scandanavian countries.

This made him untouchable to the Pretoria heavies – just like critical Afrikaans writers of the time and  Church-sponsored educators determined to run mixed private schools.

Foreign governments took the lead from their music-fan citizens and bestowed honours on  Clegg: the Legion d’Honneur from France and Britain’s OBE.

Clegg seemed to triumph over chronology by persistently touring and leaping around the stage with microphone, guitar and township concertina.

He sang about the injustices of apartheid but the lasting value  of his songs celebrates the land and beauty of a South Africa open to everyone.

His courage and activism were above question. Like many South Africans he was disappointed at the so-called Rainbow Nation failing to live up to its promises. 

However, he  avoided the cut and thrust of the party political arena to express this.

Johnny Clegg liked to say he was taught patience by Nelson Mandela, the man he fantasised about performing with.

That dream came true when Mandela walked on stage during his concert in Frankfurt in 1999 and did his trademark jive to Asimbonaga. 

“I realize that the new South Africa cannot be perfect,” Clegg would say. “It could take as long as 40 years to flourish and become truly democratic.

“We must be patient if we want to see a flowering future.” 

Clegg’s son Jessie has followed in his father’s musical footsteps and the two have performed together many times.

The maestro says he is enormously proud of his son but insists he has not interfered in his career.

Radio stations in South Africa have been playing Clegg’s music non stop since news of his death  on Tuesday afternoon, surrounded by his family.

It is almost as though they are delaying saying goodbye to the legend.

One comfort is we will always have his music and his inspiration

Lala kahle – rest in peace – Johnny Clegg 

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Jean-Jacques Cornish is a journalist and broadcaster who has been involved in the media all his adult life.

Starting as a reporter on his hometown newspaper, he moved briefly to then Rhodesia before returning to South Africa to become a parliamentary correspondent with the South African Press Association. He was sent to London as Sapa’s London editor and also served as special correspondent to the United Nations. He joined the then Argus group in London as political correspondent.

Returning to South Africa after 12 years abroad, he was assistant editor on the Pretoria News for a decade before becoming editor of the Star and SA Times for five years.

Since 1999 he’s been an independent journalist writing and broadcasting – mainly about Africa – for Talk Radio 702 and 567 Cape
Talk, Radio France International, PressTV, Radio Live New Zealand, Business Day, Mail & Guardian, the BBC, Agence France Press,
Business in Africa, Leadership, India Today, the South African Institute for International Affairs and the Institute for Security Studies.

He has hosted current affairs talk shows on Talk Radio 702 and 567 Cape Talk. He appears as an African affairs pundit on SABC Africa and CNBC Africa.
He lectured in contemporary studies to journalism students at the Tshwane University of Technology and the University of Pretoria.

He speaks on African affairs to corporate and other audiences.
He has been officially invited as a journalist to more than 30 countries. He was the winner of the 2007 SADC award for radio journalism.

He’s been a member of the EISA team observing elections in Somaliland, Democratic Republic of Congo, Madagascar, Zimbabwe, Egypt and Tunsiai.

In October 2009 he headed a group of 39 African journalists to the 60th anniversary celebrations of the Peoples’ Republic of China.

In January 2010 he joined a rescue and paramedical team to earthquake struck Haiti.

He is immediate past president of the Alliance Francaise of Pretoria.

Jean-Jacques is a director of Giant Media. The company was given access to Nelson Mandela in his retirement years until 2009.
He is co-producer of the hour-long documentary Mandela at 90 that was broadcast on BBC in January 2009.